Konzert von Piotr Anderszweski in Queen Elizabeth Hall, London
Mit Werken von Bach, Janacek und der C-Dur Fantasie op. 17 von Schumann
In seiner Besprechung für den "Guardian" verteidigt Guy Dammann das offensichtlich manchen Leuten manieriert erscheinende Auftreten von Anderszewski: "Anderszewski's awkward manner is often mistaken for a kind of Gould-like mistrust of live audiences, but it really reflects the intensity of his relationship with each note and phrase. He appears less to perform existing repertoire than rebuild each piece", um abschließend gerade der Schumann-Interpretation höchstes Lob zu zollen: "[...] The Janáček's incidental charms were underplayed in favour of the crisis of self-doubt it dramatises, while the Schumann was, I should imagine, precisely as the composer might have hoped: a whole world painted in poetry." Vgl. http://www.guardian.co.uk/music/2013/may/26/ (26.5.2013)